Prison is the best punishment for criminals
Bing, Jonathan. "The Ascendance of Don DeLillo." 11 Aug. 1997: 261-63. Discusses the marketing of , including commentsfrom Gordon Lish and Nan Graham. DeLillo himself talks about "writersin opposition," the relationship between history and fiction,his career, writing, the "two levels of violence" inmodern life, the power of the media, and the composition of .The article also tells us who edited each novel and mentions DeLillo'soriginal screenplay, . Lorin Stein's "TheCrying of Oct. 29," a short article accompanying the mainone, discusses the bidding for 's print and filmrights.
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Nadotti, Maria. "An Interview with Don DeLillo."Translated by Peggy Boyers. Edited by Don DeLillo. 100 (Fall 1993): 86-97. (First appeared in Italian, in the Italianmagazine .) DeLillo comments upon ,crowds and the individual, women and men, fact and fiction, Libraand JFK, contemporary American writers, and his preference forthe typewriter.
LeClair, Thomas. "An Interview with Don DeLillo." 23.1 (1982): 19-31. Rpt. in .Edited by Thomas LeClair and Larry McCaffery. Urbana: U. of IllinoisPress, 1983. 79-90. (Interview conducted in Athens, in 1979.)The first major interview addresses a variety of important topics,including: DeLillo's reluctance to reveal his biography, games,language, film, Zen, methods of writing, and all of his worksto date.
Nowadays, young people spend too much of their free …
The intended reader, listeners, or viewers of a particular text - in planning a piece of writing/signing learners (speakers/signers/writers/presenters) must take into consideration the purpose and audience in choosing an appropriate form of writing/signing.
Don DeLillo: An Annotated Bibliography - Perival
---. . New York: Penguin, 1989. Back cover."This is a writer whose work shines with intelligence andoriginality.... He blends modern surfaces with 19th-century interiors....Yet he puts his storytelling techniques at the service of a verycontemporary novel."
created by Curt Gardner and Phil Nel
Hustvedt, Siri. . New York: W. W. Norton,1993. Back cover. "This is a work of dizzying intensity -completely urban and modern but working at the reader's emotionswith the undistanced intimacy of a traditional tale. An intriguingand sure-handed debut by a writer of eloquent and vivid disposition."