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Stuart Butchart is Chief Scientist at BirdLife International where he leads a team who help to provide the scientific basis for the conservation programmes of the 120 Partners that form the BirdLife International Partnership. This includes assessing extinction risk for the world’s birds for the IUCN Red List, coordinating the standards and protocols for identifying and monitoring Important Bird and Biodiversity Areas (IBAs) globally, identifying key threats to birds and their habitats, determining the priority actions required (for species, sites, habitats and along flyways), understanding how people depend upon the ecosystem services delivered by IBAs, developing biodiversity indicators based on bird data, and ensuring that sound science underpins BirdLife’s policy, advocacy and communications activities.

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Matthew Oates has worked for the National Trust in various incarnations for 26 years, originally by providing practical habitat management advice but recently by developing the Trust’s wildlife and nature media work and by helping the Trust’s efforts to facilitate people’s relationships with Nature. A deep lover of butterflies, with some incipient knowledge, he is also interested in some other invertebrate groups, though unable to take specimens / kill anything. Formerly, he helped to develop nature conservation grazing. A poet, author, broadcaster and follower of the poetic approach to Nature, his life’s work concerns unravelling the mysteries of the Purple Emperor and reinstating the capital N in Nature.

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These detrimental human interactions, particularly livestock overgrazing and desertification, occur partly because the native people who depend on the land for daily life do not realize the potential benefits of wildlife and the unsustainability of their current ways....

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Harriet Mead is an award-winning sculptor and the President of the (SWLA). The influence of her late father, the ornithologist, author and broadcaster, Chris Mead, meant it was probably inevitable that she should take an interest in natural history and use it in her work. During her time at the helm of the SWLA, Harriet has worked to broaden their audience and to shrug off the negative connotations of wildlife art. Having worked on various projects with the , she also has plans to encourage conservation organisations to make use of the SWLA pool of artists to help bring a different perspective to their projects and to highlight areas of conservation concern all over the world.

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Chris Baines is one of the UK’s leading independent environmentalists and an award winning writer and broadcaster. He is self-employed and works as an adviser to central and local government and to a number of corporate clients in the water, financial management and urban regeneration industries. He trained originally as a horticulturist and he has been a champion of wildlife gardening, urban ecology and cross-sectoral partnership working for more than 40 years. A founder of the first urban wildlife group, in Birmingham, in 1979, he created the first wildlife garden at Chelsea Flower Show in 1985, and his book How to Make a Wildlife Garden has been in print for almost 30 years. He is a national Vice President of the Royal Society of Wildlife Trusts. In 2004 he was awarded the RSPB’s medal of honour, and in 2013 he received the Peter Scott Memorial Award from the British Naturalists Association.

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Bruce Pearson is a painter and printmaker. Over the past 40 years he has worked on a range of subjects and themes about species in wild landscapes, sometimes in more remote places where people and their activity interact with wildlife and habitats. He is fascinated by the rhythm and restlessness of the natural world and often completes a painting directly in the field, while volumes of sketches and studies provide ideas and fresh starting points for painting and printmaking work in the studio. His work has been widely exhibited in the UK and overseas in many group and solo exhibitions. His recent Troubled Waters project, in collaboration with BirdLife International, followed the lives and fortunes of the countless seabirds that collide with industrial fishing interests on the open ocean.