"Conclusion On Television" Essays and Research Papers ..

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Roces set up the printing shop in the family garage, starting with two platen presses
loaned by his father from the T-V-T (Tribune-Vanguardia-Taliba), some pieces of
handset types, and a composing table with a metal top. Photo News, first published
in June 1922, started as a weekly in three languages—English, Spanish, and Tagalog.
It did not fare well with the reading public and was changed to Liwayway in
November 1922. Converted into a purely Tagalog weekly with plenty of fiction and
illustrations, it became the country’s most popular Tagalog magazine and gave rise to
the other vernacular publications. The group of vernacular weekly magazines was
reorganized into the Ramon Roces Publications Inc. In 1940, the group, including
Graphic, had an audited nationwide circulation of 280,000 copies weekly.

Addiction” by Marie Winn, Winn relates watching television to having an addiction with drugs and alcohol.

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San Juan is noted for his wide-ranging scholarly interests and literary output which
have already spanned several decades and dealt with a multitude of subjects. He is a
product of the intellectual, literary, and political ferment of the 1950s which
continued up to the 1970s. His scholarship has dealt with literary criticism, Third
World culture and literature, critical theory, semiotics, and ethnicity and race
relations. His most significant scholarship has been published in The Radical
Tradition in Philippine Literature, 1970; A Preface to Pilipino Literature, 1971;
Carlos Bulosan and the Imagination of the Class Struggle, 1972; Towards a
People’s Literature: Essays in the Dialectics of Praxis and Contradiction in
Philippine Writing, 1984; Crisis in the Philippines: The Making of a Revolution,
1986; Subversions of Desire: Prolegomena to Nick Joaquin, 1988, Ruptures,
Schisms, Interventions: Cultural Revolutions in the Third World, 1988; Only by
Struggle: Reflections on Philippine Culture, Society and History in a Time of
Civil War, 1988; and From People to Nation: Essays in Cultural Politics, 1990;
and Pakikibaka Tungo sa Mapagpalayang Kultura (Struggle Toward a Culture of
Liberation), 1993.

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ARRIOLA, FE MARIA C. b. Quezon City 10 June 1943. Essayist. Her parent are
Amado Capellan and Pacita Erum. She is married to Emmanuel Arriola Jr. with
whom she has two daughters. She obtained her bachelor of arts in English and
pyschology at St. Theresa’s College in 1963. She has worked as an interviewer for
National Life Insurance Co., 1963-1965; account executive for Philippine Advertising
Counselors, 1965-1969; research associate of the Population Center Foundation,
1975-1980; and freelance copywriter, 1980-1984. Deeply involved in the Philippine
feminist movement, she is a board member of Kababaihan sa Sining at Bagong Sibol
na Kamalayan (KASIBULAN, Women in the Arts and Newly Emergent
Consciousness) and secretary-general of TERESA MAKABAYAN, a group of
Theresian alumnae active on social causes.

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Olaguer’s poems and essays were published in local magazines such as the
Philippine Review, Philippine Writing I, Philippines Free Press, and Graphic, and
in American journals like the Beloit Poetry Journal in Wisconsin, Juggler of Notre
Dame in Indiana, New World Writing 17, Horizons East, and Equinox I. His
notable poems were published posthumously under the title Masks for Heresy, 1971.

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Through more than 500 essays, feature articles, and columns published in various
popular newspapers and magazines since 1985, Ocampo has made Philippine
history, culture, and traditions understandable and interesting to the average reader
and part of everyone’s regular reading fare. Ocampo has written columns for the
Philippines Daily Express, Philippine Daily Globe, and Philippine Daily
Inquirer; his other pieces have appeared in Veritas, Philippine Panorama,
Weekend, Mr. & Ms., Sunday Times Magazine, Newday Magazine, New Daily
Express, Sunday Inquirer Magazine, Lifestyle Asia, Philippine Star, and Sunday
Globe Magazine.

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OCAMPO, AMBETH (Lamberto Raymundo Ocampo Jr.) b. Manila 13 August
1961. Essayist. He is the son of Lamberto Un Ocampo and Belen Raymundo. He
was educated from grade school to college at the Ateneo de Manila University. He
obtained his bachelor’s and master’s degrees in Philippine studies at De La Salle
University (DLSU). He has completed doctoral units in history at the University of
London School of Oriental and African Studies. He has taught at DLSU and was a
lecturer at the University of the Philippines. He has served in several government
institutions related to culture and the arts: as consultant of the Philippine National
Library; consultant and member of the Independent Authentication Panel, National
Museum of the Philippines; and member of the Subcommission on Cultural Heritage,
National Commission on Culture and the Arts (NCCA). He has given lectures in
numerous seminars, conferences, workshops, and forums both in the country and
abroad, and participated in international seminars such as the International
Symposium on Ho Chi Minh in Hanoi, Vietnam, in 1990, and the European
Conference on Philippine Studies in Amsterdam, Netherlands, in 1991.