Southern Gothic" literature appear ..

The purpose of Gothic literature is to terrify people, not to horrify them.

Southern Gothic Literature Essay Examples

A work of Gothic Literature is one that contains at least some of the following qualities: a serious tone; ruins, a castle, or a dark, melancholy setting; scenes involving dungeons, underground passages, crypts, basements or attics; shadows, a beam of moonlight in the blackness, a flickering candle, or the only source of light failing; extreme landscapes, like rugged mountains, thick forests, or icy wastes; omens and ancestral curses; magic and/or the supe...

fits the supernatural role in Southern Gothic Literature

We can’t forget Dorian Gray, despite its being left out of many gothic lists. As with both horror and romance, gothic literature tends to get snooty nose-turns from the intellectual crowd, which means any literary canon novels that happen to be gothic slowly lose the designator. Whether it gets labeled such or not, this classic is a textbook example of gothic literature.

The English fascination with sensational and gothic literature came to a peak, after slacking slightly following the Romantic period, in the late Victorian period with such works as Dracula, The Strange Adventures of Dr.

Southern Gothic Literature (ENGL 110 Essay 2)

This paper will examine how setting in gothic literature, plays an important role in the telling of a story by using Horace Walpole’s The Castle of Otranto and Shirley Jackson’s The House on Haunted Hill as examples.

Analysis of Southern Gothic Literature Essay Example …

King has written hundreds of short stories but two in-particular “The Night Flier” and “Popsy” show his unique ability to combined gothic elements from the old literature with realistic settings and people of our era.

Analysis of Southern Gothic Literature

White novelists of the southern states began in the 1820s to develop the plantation setting as an idealized literary world populated by characters who developed into types, each expected to convey a set of personal qualities—virtues or vices—as well as to act according to fixed mannerisms of dress, gesture, and language. Gender codes also developed for plantation writing as both northern and southern women entered, and finally took over, the marketplace for popular social fiction. Often the plantation literature by men was considered to belong to the genre of the historical romance that used 's works as a model, while women's writing came to be viewed under the heading of . In the plantation fiction by writers of either gender, slavery itself was seldom foregrounded in any obvious way. However, if we examine the class constructions on which such fiction’s plots are based, we see that the planter aristocracy was the center of social organization for both the "male" historical romance and the "female" domestic novel. At least implicitly, and often directly, these works of both genders were promoting model slave societies founded upon the plantation ideal of patriarchy. The white belles and matriarchs enshrined in domestic plantation Arcadies and the cavaliers whose horses are curried and armaments carried by "sable body servants" are iconic endorsements of a social system and emerging nationalism operating on the backs of usually silent, often invisible black "dependents."

Southern Gothic literature, which is a sub-genre of ..

The Historical Romance and the Domestic Novel. Plantation fiction as a rubric for southern literature has often included, even emphasized, literature written by after the . Yet we will be considering that grouping in a different light because its use of the "trappings" of the plantation served purposes related to the 's racial agenda, and not the institutionalization of slavery itself. The plantation fiction described below belongs to the antebellum period and was ideologically motivated to render a vision of southern society as a slavocracy in all its relations. Considerations of southern men and women’s fiction of this period have traditionally run on very different tracks. The novels of the early nineteenth century were often labeled "" by the men who wrote them (, , , and ). These works usually dealt with very specific historical moments (, the ) and stressed what has become known as "the cavalier myth" which touted the heroics of aristocratic types. The plantation was most often a backdrop, but a crucial one—a credential indicating the nobility of class that paralleled the nobility of spirit that the heroic male character must exemplify.