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I still have a vivid memory of my first experience of a solemn Mass with procession at Easter, when I was, I suppose, about 12 – the awareness of a deliberate strategy of involving the senses at many levels. The mild High Church atmosphere of those years was, for me, an environment that made strong imaginative and emotional sense, and indeed is still the kind of setting where I feel most instinctively at home, rather than in more simply word-oriented styles, or in the heated atmosphere of “charismatic” worship, repetitive song and unstructured prayer – although I’ve learned to be nourished by that, too, in many circumstances.

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College Essays - Top 148 Essays That Worked

In "MS. Found in a Bottle," the narrator overcomes his fear of death by invoking the example of the crew of the Discovery and by cultivating his sense of curiosity about the southern regions of the Earth. Similarly, although the narrator of "The Pit and the Pendulum" suffers from frequent fainting spells because of his terror over the Inquisition's plans, he nonetheless chooses to explore his cell and thus avoids becoming totally incapacitated by his distress. In both cases, the ability of the characters to set aside their fear indicates their mental and emotional strength. In "The Gold Bug," Legrand does not face imminent destruction, but is instead driven by curiosity to decipher the clues found on a scrap of parchment, and is ultimately rewarded for his curiosity. In all of these stories, Poe treats curiosity as a sign of the narrator's sanity and intelligence.

Empathic Listening | Beyond Intractability

In many of Poe's short stories, such as "The Tell-Tale Heart," the narrators are madmen and murderers who fail to disguise their lack of rationality with a discussion of their thought processes. However, their stories inevitably reveal gaps in their chains of thought that speak to their descent into immorality and selfishness. In many cases, insanity is interlocked with the narrators' emotional egotism; they are incapable of empathizing with others and think only of their own desire to satisfy their honor or their need to end the disruptions to their lives. On the other side of the equation lie Poe's rational characters, who are capable of consciously setting aside their own emotions in order to logically solve their problems. For example, C. Auguste Dupin's skill lies in being able to empathize with others in order to solve seemingly impossible cases. Where Poe's irrational characters create confusion out of order, Dupin is capable of reversing the process.

After God: how to fill the faith-shaped hole in modern life