Friedrich Dürrenmatt - Wikipedia
Born in Switzerland in 1921, Friedrich DUrrenmatt occupied a major place among writers in German since the succes de scandale of his first play, Es steht geschrieben [It Is Written], in Zurich in 1947.
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Friedrich DUrrenmatt by Murray B. Peppard, 1969; Friedrich DUrrenmatt by Armin Arnold, 1972; To Heaven and Back: The New Morality in the Plays of Friedrich DUrrenmatt by Kurt J. Fickert, 1972; Friedrich DUrrenmatt by H.L. Arnold, 2 vols., 1976-77; DUrrenmatt: A Study in Plays, Prose, and Theory by Timo Tiusanen, 1977; DUrrenmatt: A Study of His Plays by Urs Jenny, 1978; Friedrich DUrrenmatt: A Collection of Critical Essays edited by Bodo Fritzen and H.F. Taylor, 1979; The Theatre of DUrrenmatt: A Study in the Possibility of Freedom, 1980, and DUrrenmatt: Reinterpretation in Retrospect, 1990, both by Kenneth S. Whitton; Play DUrrenmatt edited by Moshe Lazar, 1983; DUrrenmatt by H. Goertz, 1987; Friedrich DUrrenmatt: Moralist und Komodiant by Lutz Tantow, 1992; Understanding Friedrich DUrrenmatt by Roger A. Crockett, 1998; Tradition und Verfremdung: Friedrich DUrrenmattund der klassische Detektivroman by Stefan Riedlinger, 2000.
Durrenmatt uses many allusions in The Visit in which its connections sheds so much more light on the play and helps to emphasize even the smallest aspects of it.
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Durrenmatt’s implementation of allusions to describe characters at a deeper lever, compare events in Guellen to its contrasting Westernized culture and show the irony of what Claire does to what others say, helps us understand The Visit at a much deeper level and far more interesting way.
*Dürrenmatt, Friedrich | united architects - essays
Screenplays: Es geschah am hellichten Tag (It Happened in Broad Daylight), 1960; Die Ehe des Herrn Mississippi, 1961; Der Besuch der alten Dame, 1963.