Macbeth Supernatural Essay Thesis, What Is The Theme Of The

Role of the supernatural in macbeth essay Research paper Hel

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King James showed a great interest in witches and powers of the supernatural and Macbeth was arguably written to impress the king in what were violent times.

In essence by using the supernatural and prophecy in the play, we see how it affects Macbeth and the decisions he elects that is his freewill.

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Macbeth and Banquo meet with Duncan, who announces that he is going to pay Macbeth a visit at his castle. Macbeth rides ahead to prepare his household. Meanwhile, Lady Macbeth receives a letter from Macbeth informing her of the witches' prophesy and its subsequent realization. A servant appears to inform her of Duncan's approach. Energized by the news, Lady Macbeth invokes supernatural powers to strip her of feminine softness and thus prepare her for the murder of Duncan. When Macbeth arrives, Lady Macbeth tells him that she will plot Duncan's murder.

Macbeth supernatural essay

The style and rhythm of the Captain's speeches in the. second scene should be illustrated by reference to the interlude in Hamlet, in which the epic is substituted for the tragic, in order to make the latter be felt as the real-life diction. In Macbeth, the poet's object was to raise the mind at once to the high tragic tone, that the audience might be ready for the precipitate consummation of guilt in the early part of the play. The true reason for the first appearance of the Witches is to strike the key-note of the character of the whole drama, as is proved by their reappearance in the third scene, after such an order of the king's as establishes their supernatural power of informa-tion. I say information,—for so it only is as to Glamis and Cawdor; the 'king hereafter' was still contingent,— still in Macbeth's moral will; although, if he should yield to the temptation, and thus forfeit his free agency, the link of cause and effect more physico would then commence. I need not say, that the general idea is all that can be required from the poet,—not a scholastic logical consistency in all the parts so as to meet metaphysical objectors. But O! how truly Shakspearian is the opening of Macbeth's character given in the unpossessedness of Banquo's mind, wholly present to the present object,— an unsullied, unscarified mirror!—And how strictly true to nature it is, that Banquo, and not Macbeth himself, directs our notice to the effect produced on Macbeth's mind, rendered temptible by previous dalliance of the fancy with ambitious thoughts:

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