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The renowned twentieth century author and journalist, Ernest Miller Hemingway had provided the world of literature a few of the best pieces. Hemingway essays and Hemingway short stories are perfect examples of modern literature. The understated and economic style of Ernest Hemingway essays mesmerized the readers of the twentieth century. Most of Hemingway’s essays and short stories were produced during the mid of 1920’s and mid of 1950’s.

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Essay about Identity in Literature - 1336 Words

Oratory, the art of persuasion, was long considered a great literary art. The oratory of the American Indian, for instance, is famous, while in classical Greece, Polymnia was the muse sacred to poetry and oratory. Rome’s great orator Cicero was to have a decisive influence on the development of English prose style. Abraham Lincoln’s Gettysburg Address is known to every American schoolchild. Today, however, oratory is more usually thought of as a craft than as an art. Most critics would not admit advertising copywriting, purely commercial fiction, or cinema and television scripts as accepted forms of literary expression, although others would hotly dispute their exclusion. The test in individual cases would seem to be one of enduring satisfaction and, of course, truth. Indeed, it becomes more and more difficult to categorize literature, for in modern civilization words are everywhere. Man is subject to a continuous flood of communication. Most of it is fugitive, but here and there — in high-level journalism, in television, in the cinema, in commercial fiction, in westerns and detective stories, and in plain, expository prose — some writing, almost by accident, achieves an aesthetic satisfaction, a depth and relevance that entitle it to stand with other examples of the art of literature.

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Literature may be an art, but writing is a craft, and a craft must be learned. Talent, special ability in the arts, may appear at an early age; the special personality called genius may indeed be born, not made. But skill in matching intention and expression comes with practice. Naïve writers, “naturals” like the seventeenth-century English diarist Samuel Pepys, the late eighteenth-century French naïf Restif de la Bretonne, the twentieth-century American novelist Henry Miller, are all deservedly called stylists, although their styles are far removed from the deliberate, painstaking practice of a Flaubert or a Turgenev. They wrote spontaneously whatever came into their heads; but they wrote constantly, voluminously, and were, by their own standards, skilled practitioners.

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Essays in world literature - Essays world literature today

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Examples Of Literature Essays - Examples Of Literature Essays

Novels which explore the struggle for modern identity | i love english.
Literary Connections: The Struggle for Identity in Modern Literature - prose page History and cultural commentary, essays and speeches David Beresford:�.

Topics For World Literature Essay - Topics For World Literature Essay

Hippolyte Taine, the nineteenth-century French critic, evolved an ecological theory of literature. He looked first and foremost to the national characteristics of western European literatures, and he found the source of these characteristics in the climate and soil of each respective nation. His (5 vols., 1863-1869) is an extensive elaboration of these ideas. It is doubtful that anyone today would agree with the simplistic terms in which Taine states his thesis. It is obvious that Russian literature differs from English or French from German. English books are written by Englishmen, their scenes are commonly laid in England, they are usually about Englishmen and they are designed to be read by Englishmen — at least in the first instance. But modern civilization becomes more and more a world civilization, wherein works of all peoples flow into a general fund of literature. It is not unusual to read a novel by a Japanese author one week and one by a black writer from West Africa the next. Writers are themselves affected by this cross-fertilization. Certainly, the work of the great nineteenth-century Russian novelists has had more influence on twentieth-century American writers than has the work of their own literary ancestors. Poetry does not circulate so readily, because catching its true significance in translation is so very difficult to accomplish. Nevertheless, for the past hundred years or so, the influence of French poetry upon all the literatures of the civilized world has not just been important, it has been preeminent. The tendentious elements of literature — propaganda for race, nation, or religion — have been more and more eroded in this process of wholesale cultural exchange.