The Myth Of Prometheus Frankenstein English Literature Essay
consider the metaphorical statement, "Susan is a viper in her cruel treacheries." Here, Susan is the tenor in the metaphor, and viper is the vehicle in the same metaphor. The tenor, Susan, is literally present or literally exists. The vehicle, the hypothetical or imagined viper, is not necessarily physically present.
The Myth Of Prometheus Frankenstein English Literature ..
– Rhetorical Figures in Sound is a compendium of 200+ brief audio (mp3) clips illustrating 40 different figures of speech. Most of these figures were constructed, identified, and classified by Greek and Roman teachers of rhetoric in the Classical period. For each rhetorical device, definitions and examples, written and audio, are provided. Audio examples are taken from public speeches and sermons, movies, songs, lectures, oral interpretations of literature, and other media events. Some artifacts have been edited further to make the devices easier to detect. In the interest of diversity, I have included a range of voices and perspectives.
– A Glossary of Literary Terms – Robert Harris – “a writer and educator with more than 25 years of teaching experience at the college and university level.”
- Resources from College Online : A Classroom Strategy for Teaching Toulmin
– Stephen Toulmin, a modern rhetorician, believed that few arguments actually follow classical models of logic like the syllogism, so he developed a model for analyzing the kind of argument you read and hear every day–in newspapers and on television, at work, in classrooms, and in conversation.
- I now offer nearly 200 pages to help you with your mythology projects, including something like 700 pictures…and still no sign of slowing down!
– Figures of Speech from “The Simpsons”
– Correspondence deserving a wider audience
Classroom Resources from NCTE
Definition and Examples of Literary Terms
MYTHOPOEIA (Greek "myth-making" or "myth-poetry"): (1) J. R. R. Tolkien's neologism for the deliberate creation of artificial , especially the incorporation of traditional mythic into current fiction, whether that fiction be something akin to Virgil's propaganda in The Aeneid, the Romantic poetry of William Blake, or the fantasy literature of C.S. Lewis or Tolkien himself. Tolkien connected mythopoeia with his theological doctrine of (q.v.) (2) Tolkien's poem of the same title, which he wrote in response to an argument he and the other Inklings had regarding C.S. Lewis' atheism shortly after September 19, 1931. C.S. Lewis initially felt he could not believe in a literal resurrection of Christ because the narrative pattern in the Gospels echoed much older myths about sacrificial dying gods, as detailed at length in Sir James Frazer's The Golden Bough. He thus thought that the Gospel stories, though "breathed through silver," were merely pretty lies. Tolkien's counter-argument was that, even though much older versions of the story existed before the time of Christ, that did not matter. Tolkien argued that, what God did in the incarnation and crucifixion was to take the older stories and make them literally true. Our older myths expressed man's deepest longest for redemption and resurrection, and that God chose to fulfill those ancient desires by giving Christ to humanity--and thus the older myth could be made flesh and walk among us.