ESSAY ABOUT K TO 12 PROGRAM - CODE-NGO

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K to 12 Curriculum in the Philippines and Its Benefits

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In this research-paper we present our definition of art curriculum and argue that art education should receive greater emphasis and balance during the 21st century. We provide a brief review of the history and major conceptualizations of arts education during the 19th and 20th centuries. We then provide rationale for including arts in K-12 schooling and discuss art standards and art assessment. Finally, drawing from our experiences as K-12 practitioners, we propose a realistic perspective for creating K-12 art education programs.

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At Grades 6-8 we recommend that a certified art specialist engage all students in the art curriculum each year during their middle school careers for at least 1,500 minutes per year (e.g., 6 weeks for 50 minutes a day, 12 weeks for 50 minutes per day). This structure is reasonable given that middle school philosophy encourages exploratory programs such as band, music, technology, foreign language, and speech or drama. Such a structure would enable middle school students to experience at least an additional 75 hours of art curriculum. At a minimum, recognizing that elective and semester course structures are entrenched in many schools, a required semester course on fundamentals of art during a student’s middle school career would ensure the curriculum continuity necessary for curriculum mastery by high school graduation.

Tungkol curriculum sa 12 k to Essay - clefsdevie


Standards - K-12 Standards Section - Arizona …

Critics of standardized testing in art have traditionally provided strong opposing philosophical positions, fearing loss of student freedom and homogenizing effects (Bough-ton, 2004; Gardner, 1996). Ironically, standardized tests carry the additional risk of informing art educators about that which they may not want to know, thus increasing their responsibility for teaching and learning in areas for which they have less preference. It is certainly easier to maintain an imbalanced art education curriculum related to individual teacher interests or preferences; however, by not participating in a balanced assessment program, high-stakes testing, or both, art educators risk maintaining their subject at a marginalized level. Of course, the issue of art assessment is always linked to fundamental curriculum questions about the purposes of K-12 art education.

Instruction, Curriculum & Assessment / Department …

If K-12 art educators are to demonstrate their subject’s true academic value and claim the cognitive territory that they own, they must move toward using valid and reliable measurement. To do this, ambiguous constructs such as imagination, creativity, and expression must be unwrapped and operationally defined—thus becoming objects of curriculum and assessment. Developing objective and standardized measures for areas previously untouched in the arts is not as difficult or as dangerous as it may seem. Research in cognitive psychology may enable art educators to see ways in which their constructs may be more operationally defined and objectively measured. Although it is beyond the scope of this research-paper to operationally define these constructs or to describe highly specific standardized assessment tools, we suggest using more objective approaches for assessing higher cognitive functioning in art. Whether the curriculum bias tends toward emphasizing traditional art making (Burton, 2001), imaginative cognition (Efland, 2004), competence in understanding visual culture (Freedman & Stuhr, 2004), or other purposes, these aims use similar cognitive functions. Therefore, assessment of the higher-level cognitive functions in art with increasing standardization and objective measures is complementary to each of these curricula.