Rushdie imaginary homelands essays and criticism of …
Meghan Boody exhibits the "imaginary homelands" residing within the territory of the mind. A New York based artist, trained as a photographer, Boody creates elaborate surrealistic and psychologically charged narratives of young girls' metamorphosis into adolescence. She photographs models and friends who are costumed and posed as symbolic figures for her final compositions, which are composed within the computer and then digitally printed. Psyche and Smut is an ongoing series of large prints arranged like pages from a book which tell the tale of a "proper, well-bred" young girl's journey into the darkly erotic side of her own self, the struggle for supremacy between the "good twin" and the "evil twin" (id versus ego), and the eventual transformations that both selves undergo in the process of incorporating into one singular soul."(4) Boody's allegory of the acculturation of girls into the often-restrictive roles that societies ascribe for them transforms photography from what is traditionally an instrument of verification to one that rearranges histories and clears the view to reveal simultaneity of events whose origins lie in the use of photomontage within the art movements of Dada and Surrealism.
Rushdie imaginary homelands essays and criticisms
The muddle we have managed to get ourselves into by our failure to recognise this does not only have intellectual consequences, it is also potentially (and, indeed, actually) dangerous.
The essays and reviews which are collected here are an attempt to examine some of those intellectual consequences and to point to some of the dangers.
Those who wish to explore further the point of view which I have briefly outlined here may do so either by reading the introduction, , or the longish essay about the religious origins of modern secularism which I have called . Alternatively they may browse through the or read any one of the essays, reviews and extracts which are indexed on the left-hand side of this page.
It might well be thought that the section of the index which is headed ‘false allegations’ and which lists a number of articles dealing with a contemporary witch-hunt, stands outside the view of cultural history I have advanced in other sections. In fact, however, this is not the case.
The most fervent modern advocates of reason and of science have often suggested or implied that we are no longer generally susceptible to dangerous delusions such as gripped the minds of learned men in the great European witch-hunt of the sixteenth and seventeenth centuries. This is, I believe, but another example of the dangers of rationalism. For if we accept and allow ourselves to be guided by a view of cultural history which denies the very possibility of a witch-hunt taking place in our midst, we have created the ideal conditions for one to take place in front of our eyes without our even noticing what is happening.
My own investigation into police ‘trawling operations’, which occupied me for a number of years, was not, in one sense at least, a diversion from the theory of cultural history which is worked out in other parts of this website. It was an attempt to apply that theory in practice.
On a general note I should point out that, although most of the pieces which are collected here have been published previously, a significant number, including some of the more substantial essays, appear for the first time. In a number of cases, book reviews and articles appear here in a fuller version than when they were first published, as I have taken the opportunity to restore passages which were excised for reasons of space.
Some of these reviews and articles first appeared in the Guardian, the Observer, the Times Literary Supplement or the New Statesman. Other reviews were originally published in The Tablet. Since The Tablet is a Catholic periodical, some readers may conclude, as the authors of a biography of Darwin which I reviewed critically there once did, that I am a Catholic. The correct conclusion would be that The Tablet is a broad-minded publication which does not concern itself unduly with its contributors’ religious faith – or, in my case, the absence of it.
But I'm getting ahead of myself here; let's start with the basic structure of . Subtitled "Essays and Criticism 1981-1991", it is just that. A collection of writings over the course of a relatively recent and relatively important decade in world politics covering the personal, the political and the literary fields which are Rushdie's genuine homelands.
Imaginary Homelands Essays And Criticism 1981 1991 …
Imaginary Homelands is a collection of essays and criticism as the sub-title says. What the title doesn’t make clear is the breadth and clarity of this collection. Here in one volume you have Rushdie’s thoughts on everything from Umberto Eco to Commonwealth Literature. None of the essays is obtuse or incomprehensible, and all of them are revealing. If as Rushdie says “Books choose their authors; the act of creation is not entirely a rational and conscious one”, then something different must be said about essays.
Imaginary homelands : Essays and criticism 1981-1991 …
Both Lacan and his critics argue whether the real order represents the period before the imaginary order when a child is completely fulfilled--without need or lack, or if the real order follows the symbolic order and represents our "perennial lack" (because we cannot return to the state of wholeness that existed before language).
Imaginary Homelands: Essays and Criticism 1981-1991
Salman Rushdie at his most candid, impassioned, and incisive—Imaginary Homelands is an important and moving record of one writer’s intellectual and personal odyssey. These 75 essays demonstrate Rushdie’s range and prophetic vision, as he focuses on his fellow writers, on films, and on the mine-strewn ground of race, politics and religion.