Architecture in the Renaissance Era Essay - Paper Topics
The arts in Northern Europe (notably Flanders, Holland, Germany and England) also underwent a renaissance, particularly in oil painting, printmaking and to a lesser extent wood-carving, although this so-called Northern Renaissance developed somewhat independently due to the Reformation (c.1520) and the consequent lack of religious patronage from a Protestant Church that took a dim view of religious painting and sculpture.
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Your Final for this class is to write a compare-and-contrast research paper that investigates how two works of art from different period’s styles represent a particular theme in art. Your comparison must focus on the artists and period styles covered in LA 120 and must include at least ONE artwork from a period style introduced after Module 7 which are(Byzantine Art,Early Medieval and Islamic Art, Romanesque Art and Architecture, Gothic Art and Architecture, Late Gothic Art in Italy, 15th Century Art of the North, Early Italian Renaissance)
These included: The Greek Revival (American followers included Jefferson and Latrobe); the Gothic Revival - led by in France; American followers included (1802-78) and (1818-95); a Neo-Romanesque Revival (1849-1880), led by Henry Hobson Richardson; Beaux-Arts architecture - a fusion of neo-Renaissance and neo-Baroque forms, practiced by (1827-95) - best known for designing the plinth of the (1870-86) - and by the Ohio-born (1859-1934); and the Second Empire style (1850-80) in France, which was characterized by a revival of the Mansard Roof.
Romanesque gothic and Renaissance architecture | …
They include: The Metropolitan Museum of Art New York (1870), which now owns more than 3 million works; The Museum of Fine Arts Boston (1870), whose collection now has 450,000 works; The Philadelphia Museum of Art (1876), with 200 galleries and over 225,000 objects; The Detroit Institute of Arts (early 1880s), with 100 galleries, and a collection valued at over $1 billion; The Art Institute of Chicago (1893), whose collection includes 33 masterpieces by Claude Monet!; The Frick Collection (1919), one of the world's top "bijou" art museums; The Phillips Collection (1921), another one of the world's top "small" museums; The Whitney Museum of American Art (1930), founded by Gertrude Vanderbilt Whitney (1875-1942).
Renaissance Architecture - Essay Samples
Cubism, Expressionism, Dada and Surrealism were the most important of these movements, and attracted a number of indigenous American artists, including: the New Jersey Cubist/Expressionist John Marin (1870-1953); the vigorous modernist (1877-1943); the expressionist Russian-American Max Weber (1881-1961); the New York-born Bauhaus pioneer (1871-1956); the unfortunate Patrick Henry Bruce (1881-1937), noted for his semi-abstract impastoed pictures; Stanton Macdonald-Wright (1890-1973) and Morgan Russell (1883-1953), two Americans living in Paris who invented a colourful abstract style known as ; Arthur Garfield Dove (1880-1946) noted for his small scale abstracts, collages and assemblages; the Mondrian and De Stijl-inspired Burgoyne Diller (1906-65); the influential American Cubist (1894-1964); the calligraphic abstract painter (1890-1976); the surrealist (1890-1976); the Russian-American mixed-media artist (1899-1988); the Indiana metal sculptor (1906-1965); Joseph Cornell (1903-72) noted for his installations; the Iowa-raised (1892-1942) noted for his masterpiece (1930), and the Missouri-born (1889-1975), both of whom were champions of rural and small-town - part of the wider realist idiom of ; and Jacob Lawrence (1917-2000) the famous African-American artist.
Gothic Architecture Essay ~ Artscolumbia
The Gothic Revival can be divided into two groups, anything done before 1841 was a romantic Gothic. Anything after 1841 was more or less influenced by the writing of Augustus Pugin whose many diatribes on medieval construction were well known to the English speaking world. Pugin and his followers were convinced that the only true architecture for northern climates was medieval architecture. Both he and John Ruskin wrote tirelessly on how Classical architecture was appropriate for Italy and the Mediterranean, but the free forms and craftsmanship of the medieval world were the true architecture for the Christian
Romanesque gothic and Renaissance architecture
In terms of architectural history, the lasting significance of the Temple of Jupiter Optimus Maximus can be best recognized by its influence on Roman temple building from the last two centuries B.C.E up until the third century C.E. Imperial temples across the empire—including the at Rome (see photo above)—the in France, and the many Capitolia (Temples dedicated to Jupiter, Juno, and Minerva) of Roman colonies established in north Africa demonstrate an obvious visual connection to the Capitoline temple with a shared frontality, deep front porch, and rich sculptural adornment (some characteristics of which are shared by the at Palmyra). Yet, the influence of the Temple of Jupiter Optimus Maximus can also be seen in the overall Roman approach to designing architecture—monumental scale, urban setting, lavish decoration, and imposing elevation. Together, these elements are hallmarks of Roman temples and suggest that the Temple of Jupiter Optimus Maximus was an origin point for what would become a commonly understood architectural mark of Roman sovereignty over the Mediterranean world.