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In the next seven years, 1880 to 1887, Stevenson did not flourish as far as his health was concerned, but his literary output was prodigious. Writing was one of the few activities he could do when he was confined to bed because of hemorrhaging lungs--"Bluidy Jack" he nicknamed the recurrent bleeding. But, despite illness, he wrote some of his most enduring fiction, notably (1883), (1886), (1886), and (1888). He was also busy writing essays and collaborating on plays with W. E. Henley, the poet, essayist, and editor who championed Stevenson in London literary circles and who became the model for Long John Silver in . Although he settled well into domestic life with Fanny, Stevenson's letters revealed that he rejoiced in returning to his friends--to fellow artists such as and Henley, to Sidney Colvin, his longtime literary adviser, and to , the confidant from his university days who remained his closest friend as well as financial adviser.

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The Samoan faction that he had helped to free from jail assembled at his house to cut a path to the top of Mt. Vaea, where he was buried. He had been rich, famous, an adventurer, and a legend in his homeland; the report of his death created a small shock wave throughout the literary world. Almost immediately the Stevenson family began attempts to glorify the memory of Stevenson, and this action was to work against the writer's literary reputation. They dickered over who would best edit Stevenson's letters. Baxter and James steered clear of the unenviable task, which fell to Sidney Colvin. There also appeared memoirs by Stevenson's friends who did him the disservice of writing hagiography instead of biography. The inevitable reaction of the succeeding literary generation to this presentation of Stevenson as a demisaint was severe. The worst of it amounted to speculation about Edinburgh prostitutes whom the youthful Stevenson might have known and the exact amount of impropriety in Stevenson's relationship with Fanny before their marriage. From personal attacks on Stevenson, critics turned to style: he was accused of blind imitation, having nothing to say and saying it oddly, and of promoting a spineless escapism.

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Stevenson detailed his three cruises and adventures in the letters he wrote to his friends, exulting in his newfound health, relating incidents of life on the open sea, and capturing the flavor of life lived away from Western civilization. From 1889 to 1894 his attitude toward the islanders in his letters gradually changed from paternalism to sympathy for their troubles with Western imperialism. He studied South Seas politics to espouse plans that he believed would ensure harmony between the whites and the indigenous races of the South Pacific. The naiveté of his early letters is absent from his remarkable book of essays on the various island groups and their peoples--. Written from material he had collected on the three cruises, the book reveals a much shrewder observer of human nature and politics than the man who had written . He viewed the islanders as humans who were not without a valid culture of their own. They were not all cannibals, nor were they all noble savages. As for politics, he advocated self-rule for the islands, a view that did not always make him popular with contemporary travelers and settlers in the Pacific. But he was never predictable. While he was in Hawaii, for example, Stevenson felt himself drawn to the royalists--those who wanted the United States out of Hawaii. But he resisted becoming involved in their intrigues because he did not fully trust the royalists themselves.

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In 1888 the main threads of Stevenson's art and life seemed to snap; he wrote the last of his literary essays for magazine by May, and his serious quarrel with Henley had opened his eyes to betrayal. In a letter he wrote to Baxter in May 1888, he sounded as though he was gambling for new stakes. He informed his friend that he would take a South Seas cruise, one that he expected to heal him emotionally as well as physically: "I have found a yacht, and we are going the full pitch for seven months. If I cannot get my health back ... 'tis madness; but of course, there is the hope, and I will play big."

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