Donald Judd | [ART&CRITIQUE]
If you’ve ever taken a course about modern and contemporary art history, chances are you know that Minimalist sculptor Donald Judd wrote the lively essay “Specific Objects” in 1965. But you may not know that Judd wrote throughout his thirty-five-year career. Fortunately, the Judd Foundation has released a new book of his writings, edited by his son, Flavin Judd, and Caitlin Murray. Though it lacks the terrific capsule reviews he wrote for Arts Magazinebetween 1962 and 1965, the extremely compact and well-designed 1,052-page tome includes a great deal of previously unpublished material, and it is worth owning and reading.
Donald judd 1965 essay specific objects art
Artists tend to be particular about how their works are exhibited, but Judd was notoriously focused on the particularities of installation spaces. He continually pursued venues for his art—like those at the Chinati Foundation—which were created or adjusted to his exact specifications and represented what he believed was the apex of how art of his generation should be installed. About the Chinati installation he , “It takes a great deal of time and thought to install work carefully. This should not always be thrown away. Most art is fragile and some should be placed and never moved again. Somewhere a portion of contemporary art has to exist as an example of what the art and its context were meant to be. Somewhere, just as the platinum-iridium meter guarantees the tape measure, a strict measure must exist for the art of this time and place.” Recently Judd’s home (which had also been an exhibition space and his studio) re-opened at . As it was the first building Judd owned and renovated, it offers an unparalleled example of how he conceived of “permanent installations” (or site-specific installation) of contemporary artworks—which he is credited with introducing there, and which are now quite commonplace in contemporary art—as well as the complex interaction between art, design, and architecture.
Three-Dimensional Works in Metal
Donald Judd rejected established terms for describing his work, particularly his three-dimensional works of art. Rather than referring to his work as sculpture, Judd developed a series of terms to describe the various forms he developed over time.
Donald Judd Biography, Art, and Analysis of Works | …
The is back again on Friday, 21 April with a discussion of Specific Objects, a 1965 essay by Donald Judd. This discussion will be chaired by .
Donald judd specific objects essay. College paper Writing Se
To identify Judd works in metal, most of which were untitled, a combination of fabricator’s name and date was used on shop records as follows: Fabricator YY-##. For example, Bernstein 91-02 would indicate the second work of art ordered in the year 1991. When speaking with Judd Foundation staff or a conservator about a Judd work, this number should be provided as a reference.