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Why Im Proud To Be An American Essay

Bernstein was equally impressed, not only by the strength and resilience of the people,but by their unbridled cultural enthusiasm that seemed to hang on every note. Bernsteinwas overwhelmed by his reception and returned the next year after the war of independenceto spend three months as director of the renamed Israel Philharmonic, touring disputedareas by armored bus and giving open air concerts as hostilities continued to rage. Incoming years, he would return often and led the orchestra on European and American tours,forming a life-long bond that would culminate in recordings and in the dedication of hisfinal work.

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I started my life in the Army and have worked my way up to being a multimillionaire because of what I have learned throughout my life. My success began shortly after high school and has gone from strength to strength every year. I didn’t do very well in high school. I passed all of my …

Elsewhere, Bernstein's triumphant guest shots continued, as he conquered the rest ofAmerica and Europe. In 1953 Maria Callas, the diva whose dramatic intensity revolutionizedopera in our time, heard Bernstein on a radio broadcast and insisted that he be hired asthe first American ever to conduct at La Scala, the leading opera house of Italy. Eventhough the short notice of his engagement left him less than a week to learn the score,Bernstein's appearance with Callas was hailed as a huge success.


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The final result was brilliant from all perspectives. Laurents's book captured thelingo of the streets, Sondheim's lyrics conveyed youthful emotion through breathlessunderstatement, huge portions of the show were given over to Robbins's expressive andgripping ballets, and Bernstein's music soared from tragic fury to the tenderness of firstlove, and all with the essential spirit of New York. The cast of relative unknowns headedby Carol Lawrence, Larry Kert and Chita Rivera threw themselves into their roles. Theintegration of these elements was extraordinary, and perhaps is heard to best advantage in"Maria," an absolutely perfect blend of lyrics, melody and sheer feeling toconvey the ardor of first love.

Proud to Be American - College Essays - Ryry244

Each of the creators tells a somewhat different story of how the miracle of cohesionultimately occurred, but what we know for sure is that somehow it happened. The finalproduct was awash in great American themes: love conquering prejudice, youth againstmaturity, tradition challenging progress. Even more amazing, though, is how the showconstantly balanced poetry and realism. As Bernstein explained to the New York , the entire show was a tightrope between art and realism, carefully balancingaudience expectations between the diverse demands of fantasy versus authenticity,entertainment versus drama.

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My favorite teacher is my history teacher, and he is by far the best teacher that I have ever had. He has the ability to make a subject that many students find incredibly boring come to life through his enthusiasm and passion for history, and his love of being a teacher. Going to his lessons …

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A collaboration with Lillian Hellman, was based upon Voltaire's satiricnovella of 1759, which had lampooned the philosophy of optimism, a mindless acceptance ofdisaster in this best of all possible worlds. Most great shows boast an inseparable blendof book and lyrics. Joan Peyser pinpointed the problem that doomed from theoutset: two brilliant creators each seized upon the possibilities of the source materialin irreconcilable ways. Bernstein crafted a delightful score that subtly ribbed the staidconventions of European opera, while Hellman, "whose tongue was never in hercheek," planned a dead-serious attack upon the anti-communist investigatingcommittees which had victimized her and her literary circle. Needless to say, didn't jell.