Name 1962 collection short stories essays jorge luis borges


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Jorge Luis Borges: An Inventory of His Papers at the …

Jorge Luis Borges was one of the most influential writers of the 20th century. His lasting contribution to world literature is to be found in his short stories. Ficciones (Fictions) and El Aleph (The Aleph and Other Stories) collect his classic tales, the ones that secured his place among the masters of world literature and became the cornerstone of the new Spanish-American narrative. It is in these two books, along with the essays of Inquisiciones [Inquisitions] and the texts (prose, poetry, fragments) of El hacedor (Dreamtigers) that the synthesis of his literary art can be found. In later books of short stories, such as El informe de Brodie (Dr. Brodie’s Report), he turned to simplicity, to straightforward storytelling. El libro de arena (The Book of Sand), however, his last collection of short stories, returned to the creative lines developed earlier. The recurrent aesthetic and philosophical concerns of his writing (time, the identity of the self, human destiny, eternity, infinite multiplicity, the double, the mirages of reality) remained predominant themes, but the rigorous verbal precision of his celebrated stories becomes a freer, simpler, and more direct prose.

who would later become founder and curator of the Jorge Luis Borges Collection ..
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Jorge Luis Borges | Article about Jorge Luis Borges by …

Borges, The Labyrinth Maker by Ana Maria Barrenchea edited and translated by Robert Lima, 1965; The Narrow Act: Borges’s Art of Illusion by Ronald J. Christ, 1969; The Mythmaker: A Study of Motif and Symbol in the Short Stories of Borges by Carter Wheelock, 1969; Jorge Luis Borges, 1971, and Borges and the Kabbalah and Other Essays on His Fiction and Poetry, 1988, both by Jaime Alazraki, and Critical Essays on Jorge Luis Borges edited by Alazraki, 1987; Borges, 1971, and Borges Revisited, 1991, both by Martin S. Stabb; The Cardinal Points of Borges edited by Lowell Dunham and Ivor Ivask, 1971; Jorge Luis Borges by John M. Cohen, 1973; Prose for Borges edited by Charles Newman and Mary Kinzie, 1974; Borges: Ficciones by Donald Leslie Shaw, 1976; Paper Tigers: The Ideal Fictions of Borges by John Sturrock, 1977; Borges: Sources and Illumination by Giovanna De Garayalde, 1978; Jorge Luis Borges: A Literary Biography by Emir Rodriguez Monegal, 1978; Jorge Luis Borges by George R. McMurray, 1980; Borges and His Fiction: A Guide to His Mind and Art by Gene H. Bell-Villada, 1981; The German Response to Latin American Literature and the Reception of Jorge Luis Borges and Pablo Neruda by Yolanda Julia Broyles, 1981; The Aleph Weaver: Biblical, Kabbalistic and Judaic Elements in Borges by Edna Aizenberg, 1984, and Borges and His Successors: The Borges Impact on Literature and the Arts edited by Aizenberg, 1990; The Prose of Jorge Luis Borges: Existentialism and the Dynamics of Surprise, 1984, and The Meaning of Experience in the Prose of Jorge Luis Borges, 1988, both by Ion Tudro Agheana; Jorge Luis Borges: Life, Work and Criticism by Donald Yates, 1985; Jorge Luis Borges edited by Harold Bloom, 1986; The Literary Universe of Jorge Luis Borges: An Index to References and Allusions to Persons, Titles and Places in His Writings, 1986, and Out of Context: Historical Reference and the Representation of Reality in Borges, 1993, both by Daniel Balderston; The Poetry and Poetics of Jorge Luis Borges by Paul Cheselka, 1987; The Emperor’s Kites: A Morphology of Borges’s Tales by Mary Lusky Friedman, 1987; In Memory of Borges edited by Norman Thomas Di Giovanni, 1988; A Dictionary of Borges by Evelyn Fishburn, 1990; Jorge Luis Borges: A Study of the Short Fiction by Naomi Lindstrom, 1990; Orientalism in the Hispanic Literary Tradition: In Dialogue with Borges, Paz and Sarduy by Julia A. Kushigian, 1991; Borges and Artificial Intelligence: An Analysis in the Style of Pierre Menard by Ema Lapidot,1991; The Contemporary Praxis of the Fantastic: Borges and Cortazar by Julio Rodriguez-Luis, 1991; Jorge Luis Borges: A Writer at the Edge by Beatriz Sarlo, 1992; Jorge Luis Borges and His Predecessors, or, Notes Towards a Materialist History of Linguistic Idealism by Malcolm K. Read, 1993; With Borges on an Ordinary Evening in Buenos Aires: A Memoir by Willis Barnstone, 1993; Signes of Borges by Sylvia Molloy, translated and adapted by Oscar Montero, 1994; The Borges Tradition, edited with introduction by Norman Thomas di Giovanni, 1995; The Man in the Mirror of the Book: A Life of Jorge Luis Borges by James Woodall, 1996; Ravishing Tradition: Cultural Forces and Literary History by Daniel Cottom, 1996; Nightglow: Borges’ Poetics of Blindness by Florence L. Yudin, 1997; Borges and Europe Revisited, edited by Evelyn Fishburn, 1998; Borges and the Politics of Form by Jose Eduardo Gonzalez, 1998; Jorge Luis Borges: Thought and Knowledge in the XXth Century by Alfonso de Toro,1999; Humor in Borges by Rene de Costa, 2000.

Jorge Luis Borges was a famous Argentine poet, best known for his magical realism style of writing
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Over the course of the years literary and cultural critics have warned about politicizing Jorge Luis Borges's oeuvre. It has been suggested time after time that Borges's fiction is both apolitical and ahistorical. Those who defend this position have suggested that Borges was never interested in local color but rather universal topics. Others have accused him of withdrawing from the reality of his country and the rest of the world and hiding in a world of fantasy, dreams, and intellectual games. A closer look at Borges's life and work will show a lesser known aspect of the writer's political views and his strong commitment and determination to fight injustice and oppression both in his native Argentina and abroad.

Jorge Luis Borges Borges, Jorge Luis (Vol. 32) - …
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